Remko Scha: Selected writings about art, esthetics and perception.

2006 Remko Scha: "Kunstmatige Kunst." De Connectie 2,1 (April 2006), pp. 4-7. 2005 Remko Scha & Jos de Bruin: "Algorithmix # 6 (Swarte Wech). " In: Cor Wetting (ed.): Passages. Leeuwarden: Sprezzatura, 2005; pp. 16-19. Remko Scha: "Huge Harry habla acerca de lo 'Artificial'." [With English translation: "Huge Harry talks about 'Artificial'."] In: Umberto Roncoroni (ed.): Artware 3. Exposición internacional de arte digital. Galería Juan Pardo Heeren, Lima, Peru, 2005. 2004 Remko Scha: "Het algoritme als kunstwerk." In: Boekman 58/59 (Spring 2004), pp. 45-51. 2003 Mehdi Dastani and Remko Scha: "Languages for Gestalts of Line Patterns." Journal of Mathematical Psychology, Vol. 47 (2003), pp. 429-449 Mehdi Dastani, Bipin Indurkhya and Remko Scha: "Modeling Analogical Projection in Pattern Perception." Journal of Experimental and Theoretical Artificial Intelligence, Vol. 15, no. 4 (2003). Jos de Bruin and Remko Scha: "Iedereen zijn eigen DJ." Automatisering Gids, June 27, 2003, p. 17. Jos de Bruin and Remko Scha: "Algoritmische architectuur is toegepaste toevalskunst." Automatisering Gids, April 25, 2003, p. 17. Jos de Bruin and Remko Scha: "Algoritmische kunst spot met museale waarden." Automatisering Gids, March 14, 2003, p. 15. [Reprinted in: Cees de Boer (ed.): Concrete Kunst & Mathematiek. Reader for an International Symposium at the Mondriaanhuis, Amersfoort, 25 October 2003.] 2002 Arthur Elsenaar and Remko Scha: "Electric Body Manipulation as Performance Art: A Historical Perspective." In: Nicolas Collins (ed.): Leonardo Music Journal, Vol. 12 (2002), pp. 17-28. [Special issue on Pleasure.] Cambridge, MA: The MIT Press. 2001 Remko Scha: "Readymades, Artificial Art, New Media." In: Annette W. Balkema and Henk Slager (eds.): Exploding Aesthetics. L&B Series of Philosophy of Art and Art Theory, Vol. 16. Amsterdam & Atlanta: Rodopi, 2001, pp. 40-47. 1999 Huge Harry: "Radio for Everyone; a Computer's Reflections on the Future of Broadcasting." In: Eric Kluitenberg (ed.):  New Media Logbook KUNST.NRW.NL, pp. 28-29. Amsterdam: De Balie, September 1999. 1998 Jos de Bruin and Remko Scha: "A Republic of Information Designers." In: Proceedings of Vision Plus 4, Carnegie Mellon University, Pittsburgh, March 26-29, 1998, pages 14 - 25. Remko Scha: "Naar een Architectuur van het Toeval." In: Hans Konstapel, Gerard Rijntjes and Eric Vreedenburgh (eds.): De Onvermijdelijke Culturele Revolutie. Den Haag: Stichting Maatschappij en Onderneming, 1998, pp. 105-114. [English translation: "Towards an Architecture of Chance."] "Human Art is Dead. Long Live the Algorithmic Art of the Machine. A Mute Exclusive Interview with Huge Harry by Eric Kluitenberg." Mute 19 (February 1998), pp. 14-21. 1997 Huge Harry: "On the Mechanism of Human Facial Expression as a Medium for Interactive Art." / "Über den Mechanismus des menschlichen Gesichtsausdrucks als Medium für interaktive Kunst". In: Gerfried Stocker & Christine Schoepf (eds.): Fleshfactor. Informationsmaschine Mensch. (Ars Electronica.) Vienna / New York: Springer, 1997, pp. 110-120. Mehdi Dastani, Remko Scha and Bipin Indurkhya: "An algebraic method for solving proportional analogy problems involving sequential patterns." In: Proceedings of  Mind II: Computational Models of Creative Cognition (Dublin, September 1997), pp. 1- 15. Huge Harry: "A Computer's View on the Future of Art and Photography." In: Si Yuill (ed.): STRUT. An Elevator Publication. Street Level Gallery, Glasgow, 1997. 1996 Yuri Engelhardt, Jos de Bruin, Theo Janssen and Remko Scha: 'The visual grammar of information graphics'. In: J.C.B. Damski and N.H. Narayanan (eds): Workshop Notes Visual Representation, Reasoning and Interaction in Design, Artificial Intelligence in Design '96, Stanford University. 1995 P. Dauvellier, E. Vreedenburgh, W. van den Kamer, R. Scha and H. Scholten: Spelregels en toeval als planningsfactoren (STAP). Rapport aan de Rijksplanologische Dienst. 1995. Remko Scha: "George Brecht and WATER-YAM." Simulacrum 4, 2 (May 1995), pp. 16-17. [In Dutch.] Huge Harry: "A Computational Perspective on Twenty-First Century Music." Contemporary Music Review, 14, 3 (1995), pp. 153-159. Arthur Elsenaar and Remko Scha: "Towards a Digital Computer with a Human Face." Abstracts. American Anthropological Association, 94th Annual Meeting. Washington, D.C., November 15-19, 1995, p. 139. 1994 Remko Scha and Eric Vreedenburgh: "Vers une autre Architecture." Zeezucht 7, 8 (1994), pp. 6-14. [English translation: "Towards a different architecture."] Huge Harry: "Humans and computers; copies and creations." Artis, 's Hertogenbosch. Tools & Tales. January 30, 1994. 1993 Remko Scha and Rens Bod: "Computationele Esthetica." Informatie en Informatiebeleid 11, 1 (1993), pp. 54-63. [English translation: "Computational Esthetics."] Remko Scha: "On Art History." In: H. Eberson (ed.): Artificial. Trademark, Amsterdam, 1993, pp. 50-51. 1992 Remko Scha: "Virtual Voices." Mediamatic 7, 1 (1992), pp. 27-42. Huge Harry: "On the Role of Machines and Human Persons in the Art of the Future." Pose 8 (September 1992), pp. 30-35. Remko Scha: "The Artificial Artist." Natuur en Techniek 60, 7 (1992), pp. 526-539. [In Dutch.] Remko Scha: "The Pumping Station Plays Rhythms of the River." In: Krijn Giezen (ed.): Haagse Beek. Stroom HCBK, May 1992. 1991 Remko Scha: "Computer/Language." Mediamatic 6, 2/3, 1991, p. 95. [Reprinted, with a German translation, in: Sandro Droschl, Jan Robert Leegte & Jan Maarten Voskuil (eds.): Unfinished Business. Dutch Abstracts. Vienna: Folio Verlag, 2009, p. 57.] 1989 Remko Scha: "Computer/Art/Photography." Perspektief 37 (1989), pp. 4-10. Remko Scha: "Music and Mechanics." In: Dick Raaymakers (ed.): Anti Qua Musica. The Hague: SDU, 1989, pp. 67-72. [In Dutch.] 1988 Remko Scha: "Artificiële Kunst." Informatie en Informatiebeleid 6, 4 (1988), pp. 73-80. Reprinted in Zeezucht 4 (1991), pp. 29-34, in HTV De IJsberg 12 (November 1996), and in Rob Wiche (ed.): Het Paradoxale van de Oneindigheid, Studium Generale, Rijksuniversiteit Leiden, September 1997, pp. 77-82. [English translation: "Artificial Art."] 1984 Remko Scha: "The Machines" Ear Magazine 9, 1 (May/June 1984). 1983 Remko Scha: "Muziek in 1983." Eindhovens Dagblad, December 31, 1983. 1982 John Latham (ed.): Papers and Proceedings of the discussion held at the Apollohuis Eindhoven, January 16, 1982. [Frank Gribling, John Latham, Paul Panhuysen, Remko Scha, Jeffrey Shaw and Hugh Davies talk about art in a social context, with special reference to Latham's Artist Placement Group.] 1980  Remko Scha: "Automatische Muziek / The Machines." Artzien 2, 9 (September 1980), pp. 24/25. 1978 Remko J. H. Scha: "Visuele patronen volgens formele procedees." In: Paul Panhuysen. Schilderijen, situasies, ordeningssystemen en omgevingsontwerpen. Exhibition Catalogue. Eindhoven: Van Abbemuseum, 1978, pp. 38-59. 1967 Paul B.M. Panhuysen, Jan Lanting and Remko J.H. Scha: "Situasies." Museumjournaal 12, 7 (1967). R.J.H. Scha: Impulsreeksen met onregelmatige intervallen IV. De juist waarneembare vertraging van één enkele puls. Eindhoven: Institute for Perception Research IPO, Report no. 102, June 1967. R.J.H. Scha: Experimenten over de getalwaarde van het subjectief octaaf. Eindhoven: Institute for Perception Research IPO, Report no. 101, June 1967.

For more exhaustive lists and more detailed information, consult the documentation about specific projects, accessible through the home page of the Institute of Artificial Art Amsterdam.